The British Film Institute's Sight and Sound magazine has released its annual critics' poll for the best films of 2022, and a debut feature has taken the top spot. Charlotte Wells' 'Aftersun' was named the year's finest film, with Alice Diop's 'Saint Omer' and Park Chan-wook's 'Decision to Leave' securing second and third places, respectively.
The list, which was unveiled after the publication's once-a-decade survey of the greatest films of all time, reflects the breadth of international cinema released over the past twelve months. The top twenty includes a mix of festival favorites, box-office hits, and art-house standouts, from Jordan Peele's sci-fi thriller 'Nope' to Steven Spielberg's semi-autobiographical 'The Fabelmans'.
British Filmmakers Dominate the Top Spot
Wells' win marks the fourth consecutive year that a British director has led the poll. She follows Joanna Hogg, who topped the list with 'The Souvenir' in 2019 and 'The Souvenir Part II' in 2021, and Steve McQueen, whose 'Lovers Rock' took the honor in 2020. Sight and Sound Editor-in-Chief Mike Williams praised Wells as a "major young filmmaking talent," noting her "assured direction" and "astute screenplay" drew "subtle, naturalistic performances" from her cast, including a "career-best turn" from Paul Mescal and a "remarkable first-time performance" from Frankie Corio.
Williams also highlighted the strength of British cinema, saying it "continues to move from strength to strength." The poll's results underscore the international reach of the industry, with films from South Korea, France, India, and Poland appearing in the top ten.
The Top 20 Films of 2022
The complete top 20 list is as follows:
- 'Aftersun' (Dir. Charlotte Wells, UK/USA)
- 'Saint Omer' (Dir. Alice Diop, France)
- 'Decision to Leave' (Dir. Park Chan-wook, South Korea)
- 'The Banshees of Inisherin' (Dir. Martin McDonagh, Ireland/UK/USA)
- 'All the Beauty and the Bloodshed' (Dir. Laura Poitras, USA)
- 'Nope' (Dir. Jordan Peele, USA)
- 'One Fine Morning' (Dir. Mia Hansen-Løve, France/Germany)
- 'EO' (Dir. Jerzy Skolimowski, Poland/Italy)
- 'RRR (Rise Roar Revolt)' (Dir. S.S. Rajamouli, India)
- 'TÁR' (Dir. Todd Field, USA)
- 'Corsage' (Dir. Marie Kreutzer, Austria/Luxembourg/Germany/France)
- 'Pacifiction' (Dir. Albert Serra, France/Spain/Germany/Portugal)
- 'Showing Up' (Dir. Kelly Reichardt, USA)
- 'Crimes of the Future' (Dir. David Cronenberg, Canada/Greece/UK)
- 'The Eternal Daughter' (Dir. Joanna Hogg, UK/USA)
- 'Triangle of Sadness' (Dir. Ruben Östlund, Sweden/Germany/France/UK)
- 'Elvis' (Dir. Baz Luhrmann, USA/Australia)
- 'Everything Everywhere All at Once' (Dir. Daniel Kwan and Daniel Scheinert, USA)
- 'Fire of Love' (Dir. Sara Dosa, USA)
- 'The Fabelmans' (Dir. Steven Spielberg, USA)
The full list of 50 films is available on the Sight and Sound website. The poll, which is compiled from votes by critics and programmers, offers a snapshot of the cinematic landscape each year, and this year's edition highlights a range of voices and styles from around the globe.
Leave a Comment